Fl studio 11 stereo separation how to#
Fl studio 11 stereo separation full#
Fl studio 11 stereo separation free#

I have loaded a kick drum as an example and routed it to one of the Mixer insert tracks.Īs you can see (and hear), the kick is slightly spread in the stereo field – most likely in the higher frequency area so it’s not completely mono: Reading the analyzer is pretty self-explanatory: the wider the stereo spread of the audio signal, the wider that yellow/orange visual stuff in that vertical axis:Īnd vice versa: if the left and right signals are identical (a monoaural signal) the result is a straight line:

Fl studio 11 stereo separation free#

It’s an awesome free stereo imaging and analysis tool and that’s what I’m using in this tutorial. If you don’t have one, check out Stereo Tool by Flux.

Stereo Analysis Tool And Mono Tricksįor starters, you might want to load some stereo analysis tool to the Master channel of your DAW to keep an eye how the audio signal is spread in the stereo field. Here are a couple of practical ideas you can do to keep the bass section of your track in mono. So keeping the bass in mono already from the beginning of the production is indeed a good idea! That is why you need to make sure that the low end sounds consistent whether it’s listened in stereo (in ideal position) or summed to mono and/or listened to only one speaker.

Fl studio 11 stereo separation full#

In fact, only small amount of people are in the middle of the floor to hear the music in full stereo. Many people are standing so that they hear only one of the speakers. (And also, maybe not so relevant these days, but IF your song is going to be pressed on to vinyl, the low end needs to be mono anyway.īy keeping the bass in mono, you will ensure, that your track retains its energy and hit hard in the dance floor.Īnd even if the club is having a full stereo system, the installation, alignment and how people are positioned on the dancefloor, varies. Many club PA’s sum low frequencies to mono and if your low-end material is having a left and right channel phase mismatch, bass levels may sound inconsistent and it’ll partly loose the focus. The thing is, if the stereo widening effect sets the phase of the audio between the left and right channel out of sync (which they usually do), and you don’t have an option to control the frequency range where it will be applied, your low end may suffer phase cancellation issues when those channels are mixed together. Even though they are cool and they have their place when applied to UPPER FREQUENCIES, they can be BAD for low frequencies. Some stereo widening effects such as chorus, haas effect tricks, etc. What could possibly make the low end sound inconsistent and not so punchy in a club sound system? The low end holds the energy of your whole track so it needs to be as solid (and punchy) as possible. The “low end” is the FUNDAMENTAL in electronic dance music.

Fl studio 11 stereo separation how to#

In this tutorial, I will give you few ideas and thoughts why you should make sure that the low end of your EDM track stays mono and how to do that in FL Studio.įirst, why is it important to make sure that the lower frequencies of your mix are in mono, especially if it’s aimed for clubs?